akkadian · mythology

Atrahasis Epic

c. 1700 BCE · Old Babylonian · Sippar; Nippur

transliteration

inūma ilū awīlum

*This translation is not currently available.* The Atrahasis Epic is an Akkadian myth of creation, overpopulation, and flood that predates and directly influenced the Gilgamesh flood narrative. The first complete English edition was published by Lambert and Millard in 1969. We are actively exploring ways to include this text. Subscribe to our email list at anunnaki.ai for updates when new texts are added.

notes

The Atrahasis Epic (also known as Atra-Hasis, meaning "Exceedingly Wise") is the fullest Babylonian account of the creation of humankind and the flood, preserved on three tablets. The principal copy was written for the library of a junior scribe named Nur-Aya in the twenty-first year of the reign of Ammi-saduqa (approximately 1635 BCE), though the text itself is thought to have originated in the Old Babylonian period around 1700 BCE. Additional fragments come from Assyrian libraries at Nineveh. The text opens with a creation myth that frames human beings explicitly as a labour-saving device — created to relieve the lesser gods (the Igigi) from the burden of digging canals and doing agricultural work. This origin is theologically significant: humanity exists not out of divine love but out of divine convenience. The divine substance mingled into the clay at creation (the blood of the slaughtered god Aw-ilu) gives humans their intelligence and creates the personal soul (etemmu), the ghost that persists after death. The three attempted solutions to the problem of human overpopulation — plague, drought, and flood — represent a systematic escalation of divine response. Each time, Enki circumvents Enlil's decree by advising Atrahasis through indirect means (speaking to a reed fence, to a dream). This device — the god bound by oath who nevertheless finds a way to warn his favourite mortal — reappears in Gilgamesh's flood narrative (Tablet XI) and in many subsequent traditions. The birds released from the boat (dove, swallow, raven) appear in a nearly identical sequence in Genesis 8:6–12. The flood narrative in Genesis is widely understood by scholars to draw on Mesopotamian sources, likely transmitted through Syro-Palestinian contact with Babylonian literary traditions. The motif of a single survivor chosen for his righteousness, the construction of a vessel to specific dimensions, and the sacrifice offered after the waters recede are all shared elements. The epilogue's solution — controlling population through barren women, infant mortality, and celibate priestesses — is unusual in ancient literature for its frank demographic reasoning. The gods do not simply forgive humanity for its noise; they restructure the conditions of human reproduction. The translation presented here is a composite, drawing on W.G. Lambert and A.R. Millard's 1969 critical edition and subsequent fragment joins, with significant gaps indicated. The colophon preserved on the main tablet is one of only a few ancient texts that can be precisely dated through its internal evidence.

currently held: British Museum, London

CreationAnunnakiPrimordial HistoryEnki / EaFlood Narrative

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